Cuban Music Archives

Cuban Music, a fusion of vibrant rhythms and compelling melodies, is a testament to the island’s rich cultural heritage. This diverse musical landscape encompasses a variety of genres, each reflecting the complex history and soul of the Cuban people. From the pulsating beats of Son Cubano to the intricate rhythms of Afro-Cuban jazz, the music of Cuba invites listeners into a world where tradition and innovation meet.

At the heart of this music is Son Cubano, the foundation upon which much of Latin music is built. Characterized by its syncopated rhythms, it combines Spanish guitar melodies with African percussion, embodying the island’s cultural fusion. Salsa, a genre that evolved from Son, further popularized Cuban music globally, thanks to its energetic dance moves and captivating performances.

Afro-Cuban jazz merges traditional Cuban rhythms with the improvisational elements of American jazz, creating a rich, complex sound that has garnered international acclaim. With its deep African roots, the rumba offers a more intimate glimpse into Cuba’s history, telling stories of struggle and celebration through rhythm and dance.

Our exploration of the music of Cuba also delves into the contemporary scene, where artists blend traditional influences with modern sounds, showcasing its dynamic and evolving nature. These musicians continue to push boundaries, ensuring that the essence of Cuban music resonates with new generations.

Join us on a journey through the vibrant world of Cuban music, where every note tells a story of resilience, joy, and the indomitable spirit of Cuba. Whether you’re a lifelong fan or a curious newcomer, the rhythms of Cuba are sure to captivate your heart and move your feet.

Tag Archive for: Cuban Music

Cuba’s International Salsa Festival in Havana – February 2023

November 8, 2021/in All posts, Media and Press, Music Festivals/by Editorial Team

The Cuban Salsa festival in Havana, Cuba is one of those events where you won’t stop dancing for a second. The event brings together the most relevant famous music orchestras from all over the Island. It is an explosion of music and energy never experienced before.

The highlight of this Festival is the salsa music genre, better known in Cuba as “son” or “timba” -one of the most modern and popular variants of Cuban son. Hence, the possibility of enjoying the rhythmic-melodic combinations of contemporary Cuban popular music.

Since the first versions of the Havana Salsa Festival, the presence of Afro-Cuban rhythms, rumba, Salsa, and casino dance in different modalities has been shocking, such as concerts, showcases, conferences, visits to places with relevant musical history, etc.

The Cuban pianist and composer Maykel Blanco plays the primary host of the event, together with his Salsa Mayor orchestra and Cuban cultural institutions such as the Centro Provincial de Espectáculos y de Carnaval de La Habana (Provincial Center of Shows and Carnival of Havana), and other music businesses like Artex, Paradiso, Musicalia, Clave Cubana, Instituto Cubano of the music.

The festival headquarters is the Club 500 of the José Antonio Echeverría de Palmares Recreational Complex, besieged in the heart of one of the most central and popular neighborhoods in Havana, Vedado. The space includes a large stage with an extensive area conducive to enjoying good music and dancing with your friends.

Every year, the famous Cuban Salsa festival welcomes important Cuban groups such as Pupy y los que Son Son, Adalberto Alvarez y Su Son, Alexander Abreu y Havana D´Primera, and the legendary Los Van Van orchestra. In addition to national artists, the Salsa Festival has had the presence of international musicians such as the Puerto Rican salsero Victor Manuelle.

For 2022, Festival de la Salsa organizers presented another tight Line-Up, including the famous Cuban orchestras mentioned before. Let’s check it out!

2023 Tour Dates are February 21st-March 1st, 2023

Check our special Cuban Salsa Festival playlist if you want to get in tune with our Cuban Salsa Festival Tour.

The Modern Buena Vista Social Club (Part 3)

July 1, 2021/in All posts, Cuban Music History/by Editorial Team

The Buena Vista Social Club Today

By Rocío de Lucía (Cuban Musicologist)

When we talk about The History of Buena Vista Social Club Part 1 and The History of Buena Vista Social Club Part 2, we find that Buena Vista Social Club was the name of a Social Club where the best “soneros” of the 50s used to sing in Cuba. Then, it was a song that paid tribute to those sublime encounters and musical sessions of the homonymous Club. Later, the song would give the name to an album, a project, and finally to a musical artistic concept, with a particular style and format, founded on bringing together the glorious musicians and songs of previous decades. All that is Buena Vista Social Club.

The project traveled the world always changing the members of the orchestra. Although, it is true that some figures achieved greater popularity, becoming a kind of Buena Vista icon. Many of these original interpreters passed away a few years ago, others are now of advanced age. Let us remember that, by the creation date of the project in the 90s, the vast majority of artists were over 65 years of age.

What happened in Cuba?

Currently, in Cuba, the legacy and principles of the Buena Vista Social Club continue to be exalted, in a project called Tradicionales de Los 50. Because the original name is the intellectual property of the record company that recorded the homonymous album, the longest-lived figures of the Cuban son, they meet every night at the Rosalía de Castro Club. Located in the heart of Old Havana, there those songs that for years have brightened the lives of all those who enjoy them are honored.

Former members of the Sonora Matancera -the orchestra with which Celia Cruz recorded her first two musical albums in Cuba and a legend of Latin American dance music of the last century-, along with other great stars of the Buena Vista Social Club and Afro-Cuban All-Stars have been part of this project since 2002.

Among the most prominent figures who have collaborated, we find Julio Alberto Fernández, Barbarito Torres, Amadito Valdés, “El Guajiro” Mirabal, Julienne Oviedo Sánchez, Carlos González Cárdenas, Lázaro Villa, Rosa Fornés, Rolo Martínez and Manolo del Valle. These names are joined by other great personalities of the Cuban music scene: Rolito, Armandito y Navarro, Feliz Baloy, Hector Téllez, Alfonsí Quintana, Caridad Hierrezuelo, Hilda de la Hoz, María Elena Pena, Xiomara Valdés, Teresa García Caturla, Ela Calvo, María Victoria Gil, Amparito Valencia and Luis Téllez.

The current stars, all stand out for an important musical trajectory, of excellence within Cuban music. There we will find Rolando Montero, Mundito González, José Valladares, Jorge Mulet, Migdalia Hechavarría, Jose Luis Arango, Sergio Farías, Raquel Hernández, Flora Max, Pablo Santamaría, Millán Zuaznabar, Leonor Zayas, Feliz Bernal, Yanko Pizako, Emilio Ramos, Adalberto Ávila “Candela”, Martha de Santelices, Andrés Sánchez, Maria Elena Lazo, Alfredo Rodríguez, Laura Rodríguez and María de Jesús López.

The wide versatility of the project and its classic sound make this show a jewel of Cuban cultural heritage. A repertoire that ranges from the great classics of Miguel Matamoros, Miguel Cuní, Benny Moré, Compay Segundo, Celia Cruz, and Sonora Matancera -among others-, continues to transport us to the golden age of Cuban music, with the particular timbres and styles of each interpreter.

All of them preserve that old and delightful essence that allows us to enjoy, even in the XXI century, those glorious moments that made the Havana nights of past decades shine. An enjoyment turned into a privilege to get a live glimpse of the flavor and talent of the musicians who have made the whole world dance and distinguished the name of this beautiful island through passion and art.

You can find Parts 1 and 2 of this blog trilogy in the following links:

THE HISTORY OF BUENA VISTA SOCIAL CLUB PART 1: THE VINDICATION OF CUBAN MUSIC

THE HISTORY OF BUENA VISTA SOCIAL CLUB PART 2

The 10 Most Influential Female Musicians in Cuban Music for 2020

March 29, 2021/in All posts, Cuban Music History/by Editorial Team

A Reflection about Female Musicians For Women’s History Month

By Rosi del Valle (Cuban musician)

Last year was one of the most difficult for artists, and due to the COVID-19 pandemic, music events were not possible. However, the artistic movement in Cuba did not stop. Social media was flooded with concerts from every genre. Female artists made a difference during this time of total isolation. That’s why we prepared this list of the 10 most influential Female Musicians in 2020 as a tribute to them in this Women’s History Month. All of them are great singers and talented musicians.

10. Luna Manzanares

Luna Manzanares is part of the young generation of Cuban Female singers. Last year she released a new album, “Luna Nueva,” made up of her songs, and ventured into musical theater. She also made her debut as host of the “Adolfo Guzman” Song Festival.

9. Aymeé Nuviola

Aymée Nuviola is a Cuban/American Female Musician and singer based in the United States. Winner of the 2020 Grammy Award in the Best Tropical Latin Album category for “A Journey Through Cuban Music.”

8. Gretell Barreiro

Gretell Barreiro is a peculiar Cuban Female singer and pianist. In her most recent musical production, “Marina,” she highlighted femininity through various genres of Cuban music.

7. La Reina y La Real

La Reina y la Real is a Cuban Female Musicians and Rap duo based in Havana, Cuba. These rappers released their most recent phonogram, “Mirame,” on April 3, 2020, under Bis Music record label. During the confinement, they participated in various international online programs and festivals.

6. Haila Maria Mompié

Haila María Mompié is a Cuban Female Musician and singer and a trendy icon in the Cuban music scene. Last year Haila premiered her new children’s music album “A song to the smile,” licensed by the EGREM record label. She also frequently offered online concerts.

5. Daymé Arocena

Daymé Arocena is one of the youngest Cuban Female Musician and singers dedicated to mixing Afro-Cuban music with Jazz, having already achieved a prominent career. She’s also one of the singers who emphasizes women’s right to art, regardless of race.

4. Brenda Navarrete

Brenda Navarrete is a surprising Cuban Female percussionist and singer with a very active career in Havana, Cuba. She is also a composer and jazz musician invited to Miami’s Global Cuba Fest 21. She stands out for reflecting Afro-Cuban rhythms in her songs.

3. Diana Fuentes

Diana Fuentes is a very versatile Cuban Female Musician and singer currently based in Miami. She and Divan (Cuban reggaeton artist) starred in the song “Otra Boca,” one of the most popular last year. Diana captured the attention of the Spanish singer Pablo Alboran, with whom she co-authored two songs.

2. Telmary

Telmary is one of the most potent Cuban Female voices of Cuban Rap Music and a former member of Free Hole Negro and Interactivo bands. Together with her group, Habana Sana, she has substantially impacted social networks. Being considered an icon for style, she launched her accessory brand “Tumbao de Telma” last October.

1. Omara Portuondo

Several magazines selected the Cuban Female singer Omara Portuondo as the most important Cuban woman of 2020. She is also a national glory. Omara received another Grammy nomination for her latest album, “Mariposas,” with the collaboration of several artists. She was one of the first to join the online concert strategy.

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Rumba, an essential style of Cuban Music

March 13, 2021/in All posts, Cuban Culture, Cuban Dances, Cuban Music History/by Editorial Team

ByYami Cabrera (Cuban musicologist and Business Development Director of Havana Music Tours and Musical Getaways)

The rumba is one of the most important and universal Cuban styles of music. Many travelers and music lovers go to the island of Cuba to learn and enjoy a good Cuban rumba. Without a doubt, it is a relevant cultural attraction of this Caribbean island. Therefore, in this article, we will be addressing some essential elements of this peculiar genre.

What does the term rumba mean?

The term rumba is included within a series of Afro-Cuban words that designate a collective and profane festival in Cuba during colonial times. It is originally conceived as a couple of dancers that occur within a related group of people. Rumba is a party, touch, and dance. It manifests itself within a cohesive collective by ties of kinship or friendship, of the neighborhood.

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Rumba party? Music and dance in Cuban rumba.

At the rumba party, some play the drums, others raise the song, others respond as a chorus, and the others cheer with claps, waddle, go into the ring to dance, etc. Initially, the instruments used in these festivities were boxes of different sizes, frequently boxes of cod and candles; to achieve the highest sounds it was percussed in a bottle, in pans, or in some metallic implement.

These instruments were replaced with the development of the genre by three “tumbadoras” or “congas” of different heights. Each drum has a particular and specific rhythmic function.

The highest voice, the “Quinto”, a talking drum, is the one in charge of the improvisations that urge the dancer to make different figurations. The third drum or “salidor”, with a deep voice, marks a low ostinato, and the middle voice, “tres dos”, produces another stable rhythm that balances the whole percussion section of the rumba music. The singer carries the “claves”, which start and remain stable during the song.

Generally, rumba songs are preceded by a melodic vocal inspiration called “Diana”. Then, with the entry of the text, improvisation begins to expose the issue that gives rise to the rumba; this is called decimating. After improvisation, it “breaks” the rumba with the entrance of the instruments and the alternating solo-chorus form.

When the rumba breaks, a couple of dancers go into the ring. The dance is evocative and, in general, convulsive and disjointed; every step and gesture represents the events that precede the possession of a chicken. The Cuban rumba also presents variants of its style of music and dance: the guaguancó, the yambú, the Columbia, and a Spanish type of rumba.

Cuban rumba style became known at the beginning of the 20th century through famous groups such as `Los Roncos´, and `El Paso franco´. Later, they met rumberos who acquired great prestige such as Agustín Pina, Roncona, Malanga, Tío Tom, Chano Pozo, Virulilla, etc.

New technologies and most current rumba sounds

Undoubtedly, technology has allowed the Cuban rumba to approach contemporary sounds. With it, the electric bass is incorporated into a percussive plane. On some occasions, you can see the electric piano’s presence and the jazz band’s current sound, which has accompanied us since the 1920s when Cuban musicians, mentioned above, brought the rumba and the son to the Latin Quarter of New York. In addition, we can regularly find the violin combined with a contemporary touch during the spiritual songs to the ancestors.

Nowadays, there are famous rumberos such as the Clave and Guaguancó, Yoruba Andabo, Los Muñequitos de Matanzas and Los Papines groups, among others. The artistic representation of this folkloric manifestation can also be appreciated in the presentations of professional groups such as the Conjunto Folclórico Nacional, and local groups such as Rumbatá de Camagüey and Rumbávila de Ciego de Ávila.

Conclusions

As you can see, these are just some relevant data regarding the Cuban rumba. The Cuban rumba is a complex and very peculiar artistic phenomenon. On our part, it only remains to invite you to meet and enjoy this wonderful Cuban party with us.

The rumba is one of the most attractive Cuban styles for our team. That is why we always have a special space for her on our Tours. Havana Music Tours offers the opportunity to enjoy this style through direct contact with specific artists and musical groups such as Los Muñequitos de Matanzas or Clave y Guaguancó.

However, we recommend our Cuban Jazz and Rumba Tour, Fiesta Del Tambor (VIP), and even the Josone Music Festival in Varadero (Rumba, Jazz Son). These tours specialize their experiences in Cuban musical matters such as the rumba, and especially its percussion instruments. It is valid to highlight that our agency will also take into account personalized suggestions.

Are you ready to dance and enjoy Cuban rumba with our Havana Music Tours team?

Join us for an unforgettable tour of Cuba. Book your CubaTour Now!

Also, check out our Ultimate Cuba Travel Checklist (Updated January 2022)

The Tonadas Trinitarias: The Folkloric Music of Trinidad, Cuba

November 19, 2020/in All posts, Cuban Culture, Cuban Music History/by Editorial Team

Tonadas Trinitarias, Cuban Folk Music

ByYami Cabrera (Cuban musicologist and Business Development Director of Havana Music Tours and Musical Getaways)

Trinidad is a beautiful city in the center of Cuba. There we can find a very distinctive genre of this city, known as Tonadas Trinitarias. In the beginning, this musical expression was developed as part of a festive musician-dance event of a movement and purely profane nature. This style is currently performed by some of its main folkloric-traditional musical groups from Trinidad city.

Although its name refers to a generic species linked to country Cuban music, the Tonadas Trinitarias musical form is very distant from this type of music. On the contrary, it denotes a type of music that is accompanied by three small drums with the parietal wedge, a guataca, a guiro, and a mixed choir. This type of group is also very similar –in terms of sound and instrumental format– to that of the harpsichord choirs from the rumba and typical of the cities of Matanzas and Sancti Spíritus.

This tradition dates back to the second half of the 19th century, and some sources highlight its similarity with the beginning of the independence struggles and the revolutionary fervor of the time. They were organized by choral groups of men and women, in charge of representing the different neighborhoods established in the town.

During the nineteenth century and the first half of the twentieth century, it was known of the existence of two main groupings of Tonadas Trinitarias, each one representing specific neighborhoods, such as La Popa or Jibabuco and Simpá or El Tamarindo. However, the socio-cultural changes that occurred in the neocolonial stage caused a strong depression in the practice of these tunes, leaving both groups practically disabled.

The group meets again with the Triumph of the Revolution. This was possible at the request of government entities such as Cultura Municipal, and with the help of young art instructors. They bring together the main bearers of the tradition, it makes possible the creation of the Tonadas Trinitarias Group in 1963.

Unfortunately, starting in the 80s, this process led to the degradation of the tradition. The Tonadas Trinitarias became a generic type to be included as part of a repertoire of the Conjunto Folclórico de Trinidad, and other local groups.

However, due to the ideological and commercial value attributed to the tradition, this tradition has a new resurgence as a cultural product after opening the city to tourism in the 2000s. The Tonadas reaches into the present despite the great challenges in improving its practice.

Currently, the group remains in force thanks to its own members’ efforts and some of the cultural authorities of the town. The Tonadas Trinitarias can be found in different places in the very center of Trinidad, Cuba, such as the Palenque de Los Congos Reales, or in the Patio Bécquer.

Here are a couple of different videos,

including a collaboration with Havana Music Tours founder, Chaz Chambers

An approach to the transverse flute in Cuban music

September 28, 2020/in All posts, Cuban Culture, Cuban Music History/by Editorial Team

By Rosi del Valle (Cuban musician)

For more than a century, the transverse flute has been one of Cuban music’s leading and most exciting instruments. Its prominence ranges from the so-called Charanga orchestras to the most contemporary Jazz, having virtuous exponents renowned worldwide.

In Cuba, the boom of the flute made this instrument increasingly present in orchestras due to the singularity of its sound and the “flavor” it added to dance music.

The transverse flute can be classified as an aerophone instrument whose register encompasses the mid-bass and high-pitched sounds. It’s got a versatile sonority since it can achieve different sounds for different purposes.

History and significant performers of the transverse flute in Cuba

The flute reached its peak in Cuban popular music during the first decades of the 20th century with the emergence of the “Charanga orchestras.” These traditional music groups were made up of percussion instruments (tumbadoras, timpani, minor percussion), piano, violins, bass, flute. Later on, other instruments such as the trumpet, the trombone, and a more extensive percussion set were added. Because of its sonority, the flute became emblematic in the orchestras of the time; it is essential in musical genres such as Danzón, Cha-cha-chá, and Son, all of which are characteristic of Cuban music.

Orquesta Aragón (Aragón Orchestra) is undoubtedly Cuba’s most crucial charanga band, while Richard Egües, nicknamed “the magic flute,” has been its most recognized flutist. His skills and peculiar sound became a reference for many professional and amateur musicians. His improvisations became so famous that they were imitated inside and outside the country. This virtuous musician became the hallmark of this orchestra. One of his most outstanding soloist performances appears in the recording of the famous song “Tres Bellas Cubanas” during the boom of the Buena Vista Social Club musical project.

Over the years, the flute has become essential in Cuban music. This fact justifies its presence in different musical genres and instrumental formats, as was the case of the well-known Los Van Van Orchestra —directed since its foundation by the late Juan Formell, an artist who claims to have changed the development of his group with the incorporation of this instrument.
The versatile and renowned Cuban musician José Luis Cortés was the first flutist to use this instrument in Los Van Van. Cortés, known as “el Tosco,” is considered one of the essential flute players within Cuban musical culture.

After being a member of orchestras such as Los Van Van and Irakere, Jose Luis Cortés founded his own, NG la Banda. His performance in this new musical group brought about new sonorities, more moderate and different. His technique to play the flute is nourished daringly by elements of concert music and Jazz, which generates a change in his way of improvising. Due to his transgressive and diverse career, Cortés is considered the most influential flutist of the new generation of Cuban Jazz.

Orlando “Maraca” Valle, another representative flutist of Cuban music, came onto the same artistic background. Unlike Jose Luis Cortés, he covered a much broader spectrum in the world of flute performance. During his studies, he absorbed specific and unique techniques beyond the trend, focusing on sonority according to the instrument’s evolution.

Maraca has the merit of having managed to reproduce the sound of the wooden flute in the transverse flute. He has become one of the world’s strongest exponents of Latin Jazz, especially for his technique to play the instrument and his improvisation skills. He has expanded his music, reaching out to a very diverse audience. He was named “the liberator of the flute” for moving away from the standard established for flutists in charanga music.

The transverse flute is and will be one of the most fantastic attractions of Cuban dance music. It came from Europe to stay forever.

Top 5 Music Venues in Havana, Cuba

March 13, 2020/in All posts, Cuban Culture, Personal Experiences/by Editorial Team

Music Venues in Havana

By Chaz Chambers(Musician, Tour Guide Leader, and Director of Havana Music Tours and Musical Getaways)

Rooted deep in history and composed of sounds that seem to move the body and the soul, music in Cuba is larger than life. It is culture, identity, lifestyle, tradition, and a force that moves the whole country in one never-ending concert. And we visitors are always looking to capture the best out of our limited time. So, if you‘re looking to have that iconic music experience in Cuba and have unforgettable fun then make sure not to miss these top five music venues in Havana, the capital of Cuban music!

1. Fabrica de Arte Cubano

Established inside a former cooking oil factory, La Fabrica de Arte Cubano, also known as La FAC, has quickly become one of Havana’s most trendy and popular nightlife hotspots. And it‘s success lies in many distinctive details.

FAC delivers incredible diversity both in amenities and activities. You‘ll find a snack restaurant, nightclub, and bar mixed in with spacious outdoor and indoor spaces within these refurbished historic walls. But that‘s only the tip of an entertainment iceberg that Fabrica de Arte Cubano is.

What truly draws in those crowds are intriguing art exhibitions, funky live music, movies, and creativity that the venue explodes with every week. And there should be no surprise why the main reason for visiting the Vedado neighborhood is usually the vibrant La Fábrica de Arte Cubano.

2. La Zorra y El Cuervo

Next up we have another exciting place where music makes the air vibrate every night – La Zorra y El Cuervo. A New York Manhattan Village-style jazz club and one of the best at it in Havana.

Low ceilings, cramped space, dark and dim basement with a red English telephone box at the entrance. La Zorra y El Cuvero translates for “the Fox & The Crow“ and offers a vintage and soulful jazz club experience.

Leaning towards freestyle Jazz mostly, the club has the brightest performers of the Cuban jazz scene to perform here while also casting a spotlight on young and upcoming artists. Spectacular, special, and memorable performances are a guarantee for any kind of jazz or music fan.

Cuba is breathing jazz, and if you want to experience being top-notch, the La Zorra y El Cuervo is where it is at in Havana!

3. Cafe Teatro Bertolt Brecht

Looking for more of that wild nightlife escape in Havana? Then leave a Cafe Teatro Bertolt Brecht name in your notes and prepare to move those hips!

It is without a doubt one of the coolest nightspots in Havana, Cuba. Live music is played every night here, with Wednesdays leading the way. This is when the iconic Jazz fusion group “Interactivo” headlines the show almost every week.

Cafe Teatro Bertolt Brech is the past, present, and future, and a beautiful mix of artists perform here simply for good vibes.

While you will also find the theatre here as well, the club is known as “No Se Lo Digas a Nadie“ (Don‘t Tell Anyone“ and is the basement of the building. Tables here are few, and ques can belong. It is best to get here early at around 11:00 PM to get a good feel for the place before the crowds surge in.

4. Casa de la Musica Miramar

It seems that music venues in Havana so far have to offer something intriguing and different. And Casa de la Musica Miramar is no exception!

This is a venue known for hosting at least one famous Cuban artist every week. Bands and musicians such as Los Van Van, Alain Perez, Habana D‘Primera, and others don‘t shy away from an opportunity to perform here.

The beautiful and elegant old Havana mansion delivers a sophisticated ambiance. However, it is not the most spacious venue. Therefore be prepared to be crowded, even without large numbers of people coming in. But once you surrender yourself to the rhythms and dance, everything will simply fade away!

5. Habana 309

Formerly known as Kpricho Bar-Restaurant, the new venue has been born just recently under the new name of Habana 309.

A new place is yet to be discovered by many people, but good reviews are already making their way. One thing assured – live music here is stellar and is accompanied by the finest cocktails, good service, and a cozy setting.

It seems that Habana 309 is becoming a hub for new underground music and performing it at this cool new venue is not stopping any time soon!

History of Celia Cruz In 4 Quick Steps

November 15, 2019/in All posts, Cuban Culture, Cuban Dances, Cuban Music History/by Editorial Team

The life story of glory

Úrsula Hilaria Celia de la Caridad Cruz Alfonso, more widely known as Celia Cruz, was a famous Cuban singer and left a footprint in history as one of the most popular Latin artists of the 20th century. Often referred to as Queen of Salsa, Celia Cruz‘s biography and history are very rich, intriguing, and full of accomplishments. Therefore, let‘s explore and discover the history of the legendary Cuban singer in 4 steps that are made simple, to take you back through one of the most illustrious music careers in Latin America‘s history.

Step 1: Early Life Footprints

According to Catalina Alfonso Ramos, her mother, Celia Cruz began singing as early as 10 months of age!

Celia Cruz was born at 47 Serrano Street in the Santos Suárez neighborhood of Havana, Cuba while her father, Simon Cruz, worked as a railway stoker and her mother was a housewife who took care of a big family of 14.

What started early continued every year for Celia Cruz. She sang practically everywhere: in school during the Fridays’ actos cívicos, in her neighborhood ensemble, Botón de Oro, and in cabarets as a teenager when her aunt took her there to perform.

Yet, still, Celia Cruz originally intended to become a literature teacher, but it was that critical victory in a
talent show where she interpreted the tango piece „Nostalgia“ in a bolero tempo that became life-changing, making her pause her studies to pursue what became an elusive music career.

Step 2: The Rise Of Musical Career

Her musical breakthrough started here in Cuba with her first recordings made in 1948 and 1950 when she began singing with the celebrated Cuban orchestra Sonora Matancera.

Celia Cruz sang regularly in Cuba with the ensemble on radio and television, made extensive tours, compiled full-length albums, headlined Havana’s Tropicana nightclub, and even appeared in five films that were produced in Mexico.

Unfortunately, after the Cuban revolution of 1960, Havana’s nightlife came to a standstill which made her leave Cuba.

A journey that changed her life and career forever.

Step 3: Commerical Success In the USA

When the revolution started sweeping over Cuba, Sonora Matancera with Celia Cruz was touring Mexico and decided to cross into the United States instead of coming back home to Cuba. This led Cruz to become a U.S. citizen by 1961, settling in New York City while enraged Fidel Castro forbade her to return to Cuba‘s soil.

In the beginning, as expected, she was relatively unknown in a new country, with a presence only in the Cuban exile community. In the mid-1960s she started gaining exposure and momentum after joining Tito Puente Orchestra which had a strong following across Latin America.

Not only did she become the face of the group, but Cruz captivated audiences with her enthusiasm, sparkling attires, and crowd entertainment, skyrocketing her musical career into new heights that not many could have predicted, forming one of the greatest music legacies in Cuban history.

Step 4: Strong Legacy & Death

Celia Cruz passed away in New Jersey on July 16, 2003, at the age of 77.

Her legacy left behind still goes strong to this day, and it encompasses so many areas that she was able to touch with her fascinating 40-year musical career.

As Celia Cruz continued to perform throughout the years, she made over 75 records of which 23 went gold, winning multiple Grammy & Latin Grammy awards. But that‘s only the tip of a legacy iceberg that still floats around today, approaching 2020.

The singer made an appearance in several movies, stamped a star on the iconic Hollywood Walk of Fame, and received an award of the American National Medal from President Bill Clinton. The highest recognition an artist can receive from the United States government. Cruz is remembered as one of the 20th century’s most beloved and popular Latin musicians with many tributes made for her over the years, including music schools being named after her, television series, and many many more.

However, Celia Cruz did manage to return to Cuba in 1990 after she was invited to make a presentation at the Guantanamo Bay Naval Base. After that, she took a few grams of earth from Cuba with her.

An epilogue in her autobiography notes that, in accordance with her wishes, Cuban soil which she had saved from a visit to Guantánamo Bay was used in her entombment. Returning her home, forever.

Image links:

https://en.wikipedia.org/wiki/Celia_Cruz#/media/File:Celia_Cruz,_1957.jpg

https://en.wikipedia.org/wiki/Celia_Cruz#/media/File:Celia_Cruz_y_La_Sonora_Matancera.jpg

https://en.wikipedia.org/wiki/Celia_Cruz#/media/File:Cruz_and_Ros-Lehtinen1992a.jpg

Afro-Cuban Jazz: A Powerfull Blend of Rhythms & History

November 1, 2019/in All posts, Cuban Culture, Cuban Music History, Music Festivals/by Editorial Team

Let‘s admit it, we all love music. And with so many different genres, sub-genres, techniques, sounds, and historical aspects, sometimes it can seem like a vast ocean, almost endless. But when it comes to Cuba, and discovering its culture, one particular style stands out as a staple of Cuban rhythm of life, heritage, and history – the soul-moving Afro-Cuban Jazz. Acknowledging the intriguing and complicated development of such music genres like Afro-Cuban jazz might not be easy, but if you‘re a music fan and want to explore Afro-Cuban jazz without hassle, then let this article create you a composition of easy history notes that you will certainly love exploring!

It All Starts With Deep Roots of History

Until the mid-20th century, clave-base Afro Cuban Jazz didn‘t appear, but that doesn‘t neglect the fact that Cuban presence and influence was there, from the very moments of the birth of jazz music.

African-American music started to include Afro-Cuban musical motifs extensively in the 19th century when the habanera gained international popularity.

The habanera itself was the first–ever music to be written that was rhythm-based on the African motifs which are often described as the tresillo and the backbeat combination.

An Important Interaction With American Music

During the first decades of the Afro-Cuban jazz movement was much stronger in the United States compared to Cuba.

The interaction and connection between the US and Cuba isfascinating when it came to jazz music. The early jazz bands of New Orleans jazz incorporated habaneras as well, and eventually the habanera became a staple of jazz music in the 20th century.

Musicians from Havana and New Orleans traveled between both cities to perform, while Latin American melodies and dance rhythms spread through the United States, and the sound waves of American jazz made theirs towards the Caribbean and Central and South America.

Both trading, interacting, blending, and cherishing music, making jazz evolve strongly.

Formation of Cuban Jazz Bands

Jazz bands in Cuba started forming as early as 1920.

These bands often showcased versatility in their repertoires, by jamming both North American jazz and Cuban pop music. But even with this diversity in their lively music, the sounds that molded Afro-Cuban rhythms, pop music and jazz together, wasn‘t enough to make their presence strong in Cuba for decades to come.

Leonardo Acosta once said, “Afro-Cuban jazz developed simultaneously in New York and Havana, with the difference that in Cuba it was a silent and almost natural process, practically imperceptible.“

But that only was until Grammy Award-winning Cuban band Irakere was born and sparked a new era in Cuban jazz that is still present to this day.

Irakere made historic innovations not only in Afro-Cuban jazz but Cuban popular dance music as well, as the band made a very wide array of percussion instruments create magic. Those instruments included maracas, claves, cencerros, tumbadoras, abuaka, arara drums and many more!

Afro-Cuban Jazz Blends It All Up

Afro-Cuban jazz is sometimes known as Latin jazz, but that‘s mostly because Afro-Cuban jazz is the earliest form of the Latin jazz genre.

It is a style of music that blends and encompasses many components to craft that soulful jazz sound. From Cuban and Spanish Caribbean rhythms and percussion instruments to jazz harmonies, improvisations alongside European and African musical elements as well.

After everything that was made and played, Afro-Cuban jazz truly emerged in the early 1940s when Cuban musicians Mario Bauzá and Frank Grillo more known by his iconic name“Machito” formed a band called Afro-Cubans in New York City.

Machito’s music not only refined Afro-Cuban jazz but also had a tremendous effect on the lives of many musicians who played in the Afro-Cubans over the years, and on those who fell in love with the rhythms of Latin jazz because of his music.

An intersection in East Harlem is named “Machito Square” in his honor.

If you would like to see the best Latin and Afro-Cuban Jazz, join us on our Cuban Jazz and Rumba Tour featuring Havana Jazz Plaza (Cuba’s annual Jazz Festival)

Havana Jazz Plaza, the Annual Jazz Fest in Cuba.

September 11, 2019/in All posts, Cuban Culture, Cuban Music History, Music Festivals/by Editorial Team

Cuba Music Festival

By Chaz Chambers(Musician, Tour Guide Leader, and Director of Havana Music Tours and Musical Getaways)

Havana Jazz Plaza is one of the biggest music festivals in Cuba all year. It usually happens around December or January. For 2020 it will be happening January 14th-20th. Some of the most famous artists from Cuba and around the world come to perform for an international audience each year. Almost every theater and music venue in Havana will have an interactive schedule of music events, public performances, clinics, and workshops.

In the past we have seen such artists as Chucho Valdes, Alain Pérez, Interactivo, Daymé, Los Van Van, Hector Quintana, Muñequitos de Matanzas, Pedrito Martinez, Cimafunk, Ruy López Nussa, Dave Weckl, Horacio Hernández (El Negro), Habana de Primera, Rumbatá, Preservation Hall Jazz Band, and much more!

The Havana Jazz Plaza is not just Jazz, but the foundation and history is Jazz. Cuba and its musicians are very much influenced by jazz, Latin jazz, and world music. This music festival is a great example of a modern-day fusion. Usually, you can find many artists that you want to see each day and sometimes it seems there are too many options!

Live Jazz at La Zorra y El Cuervo

The Havana Jazz Festival is organized in multiple venues all over the city and has a schedule each day full of music. Some of the best venues in Havana are available to host each concert. Venues such as Fabrica de Arte Cubano, Teatro Mella, Teatro Karl Marx, Teatro Nacional, La Zorra y El Cuervo, Bar Elegante at Hotel Riviera, Jazz Café, Casa de la Cultura, Teatro America, Cafe Teatro Bertolt Brecht, and more!

No matter if you are a fan of Latin jazz, rumba, son, or even jazz fusion, this is the festival for you. If you have never been to Cuba before and want to see the music, this is the best music event to catch many amazing artists within one week.

American travelers can visit Cuba with Havana Music Tours under a license for Support for the Cuban people and Public Performances, Workshops, and Clinics. Despite further regulations from the US Government it is still possible to travel legally to Cuba. Music travel to Cuba has never been easier. When you are ready, you can book your VIP Jazz Plaza pass and festival tour here.

Cuban Music