¿Tú no querías Mambo? (did you want Mambo?) It’s the question of the moment for the public that follows good Cuban music and, above all, the talent of groups such as Toques del Río. A proposal accompanied by two musical creations from the band’s members, “Mambo No.0” and “Mambo Chípata.” These songs come to fill the existing void regarding the treatment of mambo music, which for many years was in the shadows despite having been one of the most popular and danced traditional Cuban music just a few decades ago.
“Mambo No.0” or “Mambo No.5”?
Yes, the correct title is “Mambo No.0”. This song is a special tribute from the boys of Toques del Río to Dámaso Pérez Prado, who is recognized as the most representative figure of this genre.
“Mambo No.0” is part of the first Toques del Río phonogram, “Pa que te sosiegues”, under the EGREM record label. The song specifically covers the lyrics of the mambo “Ni Habla” by Pérez Prado, in an evident fusion of genres such as pop, rock, and Charleston style of Swing Jazz music.
This back-in-time feeling brought by “Mambo No.0” has gained a lot of acceptance from both the Cuban and international public. The song was awarded in 2015 as the best fusion song at the Cuerda Viva Awards, an event dedicated to highlighting local talent in Cuba’s fusion and alternative music scene.
¿Tú no querías Mambo? Yes, we want more Mambo!
But the story does not end there. Toques del Río accepts its challenge to consume more Mambo with the delivery of a second composition, the “Mambo Chípata,” a creation that is also a challenge for the band due to the complexity included in the musical arrangement.
“Mambo Chípata” has been used on Cuban television as the theme for the program “Al Fin Sábado” presentation that premiered in the summer of 2018. This is just one example of the media impact of the band because many of their songs have been used on several occasions as incidental music for various television programs such as “Ruta 10” and “No te lo pierdas.” Added to this are the dance companies that have choreographed these songs for different kinds of shows.
Toques del Río has opened a new stage in the Mambo. Many of the singers and groups in Cuba have accepted this invitation to cultivate the Mambo again, demonstrating that the new generations are interested in enjoying, dancing, and listening to these rhythms.
If you like this traditional Cuban music we recommend you to check out our Spotify Playlist Cuban Traditional Songs. There you will find one of the “Chan Chan” versions and many other beautiful Cuban songs that you will certainly enjoy.
https://havanamusictours.com/wp-content/uploads/2022/11/toques-del-rio-mambo-music-havana-music-tours-blog-2.jpeg7201080Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2022-11-14 12:16:442022-12-05 13:24:42Back to Mambo with Toques del Río
We want to start by saying that perhaps contrary to what many expected, all Cubans do not dance like salsa professionals; not even all of them like to dance. For some, it could be an evident axiom; for others, not so much, so it is worth the clarification. Although, Cubans have alternatives for any dancer. If you prefer slower and more relaxed types, you can practice danzón or son. But, if you desire faster and more energetic movements, you can try the casino, conga, rumba, and even reggaeton with its extreme sensuality add-on. In general, Cuba is full of options when you ask about dance styles. That’s what we want you to learn from our article today. Let’s find out what are Cuban dances like?
Local dances that Cubans like
The last three decades of history have changed the music-dance scene in Cuba quite a bit. Although many people tend to think that people from Cuba only dance casino (salsa style), rumba, and danzón, the truth is that Cubans nowadays practice a diverse and modern variety of dances. The cultural opening of the Island revived its link with international trends, a connection quite similar to other regions of the Caribbean and Central America such as Puerto Rico, the Dominican Republic, Colombia, Mexico, among others.
Like in other Caribbean contexts, reggaeton has become the favorite musical genre among the youngest and most of the Cuban population. However, even when Puerto Rican reggaeton is widely consumed by the Latinxs community everywhere, Cubans have their own style, different and particular. Without the intention of doing a far-fetched musicological dissertation in this regard, we will comment that this Cubanreggaeton is distinguished by a specific rhythmic cell based on the Cuban clave.
Cuban reggaeton also uses and generates a lot of local slang. Some of the most popular reggaeton names are Chocolate MC, Yomil y el Dany, El Chacal, Divan, El Taiger, Harrison, El Kamel, etc. Then, the dance has particular characteristics and patterns, totally different from the rest of the geographical area.
Besides reggaeton, the other most danced genre is timba, with its casino dance. Timba is a mix derived from Afro-Cuban jazz, similar to son (original type of salsa), but faster and more aggressive. Cubans started calling it casino dance since its widespread use in casino clubs during the ’50s. The style sets the basic rhythm of the salsa, but it does not do it linearly but freely.
In addition to these dances,we found Rumba dance, a folkloric style that remains strong among Cuban people. The Rumba style is divided into Yambu, Columbia, and Guaguancó. The dancers’ energy and flavor explosion is their central characteristic. Despite its more than a hundred years of history, this “mestizo” style continues to captivate generations and generations of Cubans.
The dance varies according to the style of each dancer and the type of variant. You can dance in pairs, separate people, or in a group. You can find rumba dance at both public and private parties, as well as in cultural or recreational centers. One of our favorite places to dance rumba is the Callejon de Hamel.
Another folkloric Cuban dance very vivid on the Island is conga. This genre has a marked African influence, where percussion plays the leading role. This style is a single type of dance, but in a group: the musicians play the congas (drums) and horns, and the dancers follow them through the streets, setting a basic rhythm with their feet. It’s also common for Cuban people to dance at least one conga at private parties and Carnivals.
Other styles danced in Cuba.
Cuba has been working hard to preserve a few other famous but “old school” styles among the popularity of many modern dances. “Classical” orchestras are a big part of this effort, groups that have essentially made Cubans dance for decades. Los Van Van and La Orquesta Aragón are two of these bands highly prestigious in the national and international music scene.
Los Van Van developed a music/dance style called Songo, where the Cuban son’s essence is interpreted with a particular rhythmic base and a charanga style of music format. The most faithful follower of this genre has been Maikel Blanco y Su Salsa Mayor. Another of the most beloved by the Cuban people, La Orquesta Aragón, also uses a traditional charanga music format. They mostly performs danzones,chachachás, boleros, and sones.
However, we must point out that these music and dance genres are reserved for most adult populations. In the same sense, you must know that even when it seems paradoxical, the Buena Vista Social Club and its exquisite repertoire are icons currently reserved mainly for tourism and not the Cuban people. But, that doesn’t mean that they won’t enjoy it every time someone plays it.
On the other hand, it is essential to talk about foreign dance styles currently popular in Cuba, like merengue and bachata. For the youngest, electronicand pop music also appear in their tastes. These styles have become very famous after the abundance of more modern music festivals on the Island. In this realm, we need to add a special mention of a phenomenon called Cimafunk. This band has made the funk style fashionable and danceable among Cuban youth, mixed with Afro-Cuban rhythms and other indigenous stylistic features.
As a general rule, family celebrations, national anniversary dates, Father’s Day, Mother’s Day, Christmas, the New Year, school graduations, religions, and the reception of friends or relatives who live in other regions are often top reasons to organize a party. Food, drink, and dance music will not be missing in these celebrations. We must add that, in reality, there is not always a reason for this kind of event; many times, Cubans meet only for leisure and recreation.
Yes, socialization and partying are essential elements in Cuban society. To better illustrate the Cuban character on this topic, note that some dates indicated as “International Worker’s Day” or “International Women’s Day” are usually commemorations of struggle and protest in other world regions; in Cuba, they are holidays. In addition, we will mention events such as Festivals and Carnivals, different spaces that occur regularly, and where music and celebration abound.
So, if you are looking for a community where you can find cultural parties, not so much in clubs, but spontaneous and artistic events, full of traditions, culture, and joy, Cuba is one of the best places for it. However, you can also find all kinds of venues around the Island with excellent music and an impressive number of people dancing.
We could list hundreds of reasons in favor of travel, and about the benefits of visiting and interacting with new cultures. One of these, without a doubt, is that knowing a new city allows us to confront stigmas and stereotypes usually built around culturally different communities. Cuba has not been exempt from this condition. That is why it is necessary to talk about these common stigmas related to Cubans and their culture.
If you like to dance, undoubtedly, Cuba will not disappoint you, especially since the conceptions of dance tend to be more accessible and without so many rigid structures of interpretation. As a general rule, Cubans value the atmosphere, the energy more than the virtuosity of the movements. Their celebrations are full of life and flavor, a friendly spirit, and communion. Even if you are not a dancer, but you like to enjoy this type of environment, in Cuba, you will have unforgettable experiences, and you will indeed be infected with the joy and warmth of its people.
https://havanamusictours.com/wp-content/uploads/2022/02/Cuban-Rumba-show-Yoruba-Andabo-Jazz-Plaza-Festival-2020-18-scaled.jpg17012560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2022-02-22 16:09:402022-11-28 17:14:34What is Cuban dance like? All you need to know about it
The Cuban Salsa festival in Havana, Cuba is one of those events where you won’t stop dancing for a second. The event brings together the most relevant famous music orchestras from all over the Island. It is an explosion of music and energy never experienced before.
The highlight of this Festival is the salsa music genre, better known in Cuba as “son” or “timba” -one of the most modern and popular variants of Cuban son. Hence, the possibility of enjoying the rhythmic-melodic combinations of contemporary Cuban popular music.
Since the first versions of the Havana Salsa Festival, the presence of Afro-Cuban rhythms, rumba, Salsa, and casino dance in different modalities has been shocking, such as concerts, showcases, conferences, visits to places with relevant musical history, etc.
The Cuban pianist and composer Maykel Blanco plays the primary host of the event, together with his Salsa Mayor orchestra and Cuban cultural institutions such as the Centro Provincial de Espectáculos y de Carnaval de La Habana (Provincial Center of Shows and Carnival of Havana), and other music businesses like Artex, Paradiso, Musicalia, Clave Cubana, Instituto Cubano of the music.
The festival headquarters is the Club 500 of the José Antonio Echeverría de Palmares Recreational Complex, besieged in the heart of one of the most central and popular neighborhoods in Havana, Vedado. The space includes a large stage with an extensive area conducive to enjoying good music and dancing with your friends.
Every year, the famous Cuban Salsa festival welcomes important Cuban groups such as Pupy y los que Son Son, Adalberto Alvarez y Su Son, Alexander Abreu y Havana D´Primera, and the legendary Los Van Van orchestra. In addition to national artists, the Salsa Festival has had the presence of international musicians such as the Puerto Rican salsero Victor Manuelle.
For 2022, Festival de la Salsa organizers presented another tight Line-Up, including the famous Cuban orchestras mentioned before. Let’s check it out!
https://havanamusictours.com/wp-content/uploads/2021/11/havana-salsa-festival-2022-flyer.jpeg18751875Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2021-11-08 09:37:502022-11-28 09:39:36Cuba’s International Salsa Festival in Havana – February 2023
The rumba is one of the most important and universal Cuban styles of music. Many travelers and music lovers go to the island of Cuba to learn and enjoy a good Cuban rumba. Without a doubt, it is a relevant cultural attraction of this Caribbean island. Therefore, in this article, we will be addressing some essential elements of this peculiar genre.
What does the term rumba mean?
The term rumba is included within a series of Afro-Cuban words that designate a collective and profane festival in Cuba during colonial times. It is originally conceived as a couple of dancers that occur within a related group of people. Rumba is a party, touch, and dance. It manifests itself within a cohesive collective by ties of kinship or friendship, of the neighborhood.
At the rumba party, some play the drums, others raise the song, others respond as a chorus, and the others cheer with claps, waddle, go into the ring to dance, etc. Initially, the instruments used in these festivities were boxes of different sizes, frequently boxes of cod and candles; to achieve the highest sounds it was percussed in a bottle, in pans, or in some metallic implement.
These instruments were replaced with the development of the genre by three “tumbadoras” or “congas” of different heights. Each drum has a particular and specific rhythmic function.
The highest voice, the “Quinto”, a talking drum, is the one in charge of the improvisations that urge the dancer to make different figurations. The third drum or “salidor”, with a deep voice, marks a low ostinato, and the middle voice, “tres dos”, produces another stable rhythm that balances the whole percussion section of the rumba music. The singer carries the “claves”, which start and remain stable during the song.
Generally, rumba songs are preceded by a melodic vocal inspiration called “Diana”. Then, with the entry of the text, improvisation begins to expose the issue that gives rise to the rumba; this is called decimating. After improvisation, it “breaks” the rumba with the entrance of the instruments and the alternating solo-chorus form.
When the rumba breaks, a couple of dancers go into the ring. The dance is evocative and, in general, convulsive and disjointed; every step and gesture represents the events that precede the possession of a chicken. The Cuban rumba also presents variants of its style of music and dance: the guaguancó, the yambú, the Columbia, and a Spanish type of rumba.
Cuban rumba style became known at the beginning of the 20th century through famous groups such as `Los Roncos´, and `El Paso franco´. Later, they met rumberos who acquired great prestige such as Agustín Pina, Roncona, Malanga, Tío Tom, Chano Pozo, Virulilla, etc.
New technologies and most current rumba sounds
Undoubtedly, technology has allowed the Cuban rumba to approach contemporary sounds. With it, the electric bass is incorporated into a percussive plane. On some occasions, you can see the electric piano’s presence and the jazz band’s current sound, which has accompanied us since the 1920s when Cuban musicians, mentioned above, brought the rumba and the son to the Latin Quarter of New York. In addition, we can regularly find the violin combined with a contemporary touch during the spiritual songs to the ancestors.
Nowadays, there are famous rumberos such as the Clave and Guaguancó, Yoruba Andabo, Los Muñequitos de Matanzas and Los Papines groups, among others. The artistic representation of this folkloric manifestation can also be appreciated in the presentations of professional groups such as the Conjunto Folclórico Nacional, and local groups such as Rumbatá de Camagüey and Rumbávila de Ciego de Ávila.
Conclusions
As you can see, these are just some relevant data regarding the Cuban rumba. The Cuban rumba is a complex and very peculiar artistic phenomenon. On our part, it only remains to invite you to meet and enjoy this wonderful Cuban party with us.
The rumba is one of the most attractive Cuban styles for our team. That is why we always have a special space for her on our Tours. Havana Music Tours offers the opportunity to enjoy this style through direct contact with specific artists and musical groups such as Los Muñequitos de Matanzas or Clave y Guaguancó.
However, we recommend our Cuban Jazz and Rumba Tour, Fiesta Del Tambor (VIP), and even the Josone Music Festival in Varadero (Rumba, Jazz Son). These tours specialize their experiences in Cuban musical matters such as the rumba, and especially its percussion instruments. It is valid to highlight that our agency will also take into account personalized suggestions.
Are you ready to dance and enjoy Cuban rumba with our Havana Music Tours team?
https://havanamusictours.com/wp-content/uploads/2021/03/afro-cuban-rumba-party-in-havana-cuba-scaled.jpg19202560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2021-03-13 21:42:172022-11-28 10:15:57Rumba, an essential style of Cuban Music
Trinidad is a beautiful city in the center of Cuba. There we can find a very distinctive genre of this city, known as Tonadas Trinitarias. In the beginning, this musical expression was developed as part of a festive musician-dance event of a movement and purely profane nature. This style is currently performed by some of its main folkloric-traditional musical groups from Trinidad city.
Although its name refers to a generic species linked to country Cuban music, the Tonadas Trinitarias musical form is very distant from this type of music. On the contrary, it denotes a type of music that is accompanied by three small drums with the parietal wedge, a guataca, a guiro, and a mixed choir. This type of group is also very similar –in terms of sound and instrumental format– to that of the harpsichord choirs from the rumba and typical of the cities of Matanzas and Sancti Spíritus.
This tradition dates back to the second half of the 19th century, and some sources highlight its similarity with the beginning of the independence struggles and the revolutionary fervor of the time. They were organized by choral groups of men and women, in charge of representing the different neighborhoods established in the town.
During the nineteenth century and the first half of the twentieth century, it was known of the existence of two main groupings of Tonadas Trinitarias, each one representing specific neighborhoods, such as La Popa or Jibabuco and Simpá or ElTamarindo. However, the socio-cultural changes that occurred in the neocolonial stage caused a strong depression in the practice of these tunes, leaving both groups practically disabled.
The group meets again with the Triumph of the Revolution. This was possible at the request of government entities such as Cultura Municipal, and with the help of young art instructors. They bring together the main bearers of the tradition, it makes possible the creation of the Tonadas Trinitarias Group in 1963.
Unfortunately, starting in the 80s, this process led to the degradation of the tradition.The Tonadas Trinitarias became a generic type to be included as part of a repertoire of the Conjunto Folclórico de Trinidad, and other local groups.
However, due to the ideological and commercial value attributed to the tradition, this tradition has a new resurgence as a cultural product after opening the city to tourism in the 2000s. The Tonadas reaches into the present despite the great challenges in improving its practice.
Currently, the group remains in force thanks to its own members’ efforts and some of the cultural authorities of the town. The Tonadas Trinitarias can be found in different places in the very center of Trinidad, Cuba, such as the Palenque de Los Congos Reales, or in the Patio Bécquer.
Here are a couple of different videos,
including a collaboration with Havana Music Tours founder, Chaz Chambers
https://havanamusictours.com/wp-content/uploads/2020/11/las-tonadas-trinitarias-trinidad-cuba-scaled.jpg19202560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2020-11-19 10:22:302022-11-28 03:21:20The Tonadas Trinitarias: The Folkloric Music of Trinidad, Cuba
Throughout its history, the Son -as the Cuban Rumba- took longer to achieve institutional recognition, even though they were always venerated by the people and respected by the musicians of the continental circuit. The Cuban musical product -in all its manifestations- was a great reference for Latin American and Caribbean culture. However, after a glorious time for Cuban artists during the first half of the 20th century, in the young years of socialist Cuba, Cuban music lost its prominence in the region.
At the end of the 70s, a project called Estrellas de Areito was carried out, whose purpose was to summon the great figures of the golden age of Cuban Son (the 40s and 50s) in an attempt to exalt these colossi of the Cuban music that were falling into oblivion. The American musician and producer Ry Cooder and the record producer Nick Gold were involved. Although that musical work did not have the expected resonance, it laid the groundwork for subsequent projects that would give rise to the Buena Vista Social Club phenomenon.
Years later, the Sierra Maestra group, a format that paid tribute to the Sonera tradition and Cuban Trova, developed a series of international tours and presentations. Juan de Marcos González (Cuban musician and producer) was a member of that band. Participation in these events around the world allowed him to interact with essential personalities and music entrepreneurs. From these exchanges emerged the connection and friendship with Nick Gold and World Music. This record label would launch the Buena Vista Social Club album to the world and with it distinguish Cuban music within the heritage of universal culture.
The World Music label had been promoting a line of recordings that explored the richness of African culture and in 1994, they had won the Grammy award for Best World Music with the album Talking Timbuktu, produced by Ry Cooder. Finally in 1995, Juan de Marcos and Nick Gold agreed to organize a project, in a Jam Session style, where Cuban and African musicians would merge. With Ry and Nick’s experience and interest in African and Cuban music, which had fascinated them during the edition of Estrellas de Areito, they traveled to Havana in 1996 to undertake this new project.
Along with the troubadour from Santiago de Cuba, Eliades Ochoa, and other Cuban musicians who would be part of the recordings, the arrival of the two African musicians was expected: Toumani Diabate, Cora player, and the guitarist Chadi Madi. The African instrumentalists could never arrive due to difficulties with their visas, and this new circumstance caused a change in the project’s original conception. It is then when Juan de Marcos summons consecrated figures of Cuban music, among which were: Compay Segundo, Rubén González, Ibrahim Ferrer and Omara Portuondo.
Ángel Terry Domech, tumbador and member of the project, relates:
We were lucky that Rubén González kept, in a folder, danzones of all times: Buena Vista Social Club, La Negra Tomasa, etc., arrangements were not even made; it was all from memory (…). There was a true professional of teachers who, for many years, dedicated themselves to music.
The instrumental danzón “Buena Vista Social Club”, authored by Israel López, Cachao, evoked those glorious dances of the homonymous Social Club, gave the title to one of the records that were produced at that time. Another of the albums was A Toda Cuba le Gusta, with a big band format. Both musical works were nominated for the 1997 Grammy Awards, but the Buena Vista Social Club studio album won in the Traditional Music category. However, before obtaining the award, the album had already sold more than half a million copies in Europe, as a result of several concerts performed with the Afro-Cuban All Stars format, under the direction of Juan de Marcos, where they only included a few of the musicians who participated in the recordings.
In 1998, Ry Cooder returned to Havana with the German film director Wim Wanders with the intention of filming a documentary about those troubadours and soneros, who were living testimony of a millenary culture, and who had achieved world fame in their old age, to become legends. The cinematographic work recognized the talent and virtuosity of Cuban interpreters and composers, and a whole heritage that had survived wars, revolutions, emigration, and discrimination, yet sounded full of life and joy and managed to move the most diverse audiences.
Artists with capital letters, with no other pretensions than to sing their melodies and serve Cuban music itself, who never renounced their identity, their purest roots, being the most worthy way to honor the nation that fathered them. The documentary was titled Buena Vista Social Club, and beyond its technical values, Wim Wanders delivered a sensitive and honest work, that transmitted the charisma and grace of these Cuban musicians. The film won more than fourteen international awards and an Oscar nomination, in a kind of double distinction: for Wanders’ work and, at the same time, for the work that gave the documentary a reason for being.
You can find Part 1 and Part 3 of this blog trilogy in the following links:
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Cuba and its capital Havana have been renowned for being one of the premier musical hotspots in the world. After all, you can see it, hear it and feel it everywhere. From narrow alleys and balconies to blasting speakers from cars to hottest venues and dance floors. But just because we can see it anywhere and everywhere, doesn‘t mean we should ignore a wonderful opportunity to explore particular Music Festivals in Havana.
Music Festivals in Havana are not only they are unique to each other and are rich in variety, but they offer the best Cuban music with a spice of international twist as well. We invite you to explore our list of the top 5 most popular music festivals in Havana where everyone is bound to find something they prefer and admire!
We simply have to start with a jazz festival. After all, we are talking about Cuba! Havana International Jazz Plaza Festival is one of the most important music events in the country.
The Festival dates back to 1980 to its first gig. And over the years it became nothing short of a premium jazz experience in Havana and all of Cuba. Performances from such artists as Telmary, Joe Lovano, Interactivo, Alain Perez, and others only testify to it.
It is all about diversity in artistic expression, inter influence between different music scenes, and a strong presence of international music. Attending the Havana Jazz Plaza Festival will allow you to truly feel that pulse of music that Cuba is known for!
The festival pulses right in the heart of Havana with a profound link to musical culture and heritage. A celebration and showcase of talent from both Cuba and around the world.
The broad spectrum of musical genres available to soak upsets the festival apart the most. From hip-hop, folk, and jazz to acoustic, reggae, electronic music, and more! Havana World Music Festival ensures that everyone will find their moment of groove! In addition to all of this, you‘ll also be able to witness dazzling street art, dance performances, and other forms of creativity exploding.
To sum it up, the award-winning Cuban artist said it best about the festival: “The focus of HWM is to give the Cuban people the chance to become acquainted with the musical diversity of Cuba and the world and encourage exchanges among international and Cuban bands. This can be very beneficial to the musicians, producers, and music promoters in our country“
Let‘s shift our focus to the drums! Fiesta del Tambor offers a wonderful chance for percussion enthusiasts to attend the biggest drum party on the island.
Featuring some of the best percussionists, drummers, and musicians, both international and local, the festival is now operating for more than 15 years and is organized by the National Center for Popular Music.
Greatest percussionists and drummers are accompanied by Cuban dance music bands, various dance groups, folklore jazz compositions, and even Drum masterclasses and cultural events. A festival is rich in every aspect of heritage, art, and music.
Just as we turned the tides towards drumming, we are now going to put some emphasis on dancing. A form of expression that has been around since 3300 BC!
The festival offers a 7-day adventure with over 100 hours of dance classes with different levels and styles to choose from. Whether it is Casino dance (style of Cuban salsa), ChaChaChá, Reggaeton, or Rumba with much more available. And once the sun sets, the party will set Cuban salsa clubs on fire!
Capture the very best of Cuban dance and share your love for music and dancing with thousands of enthusiasts, performers, instructors that are bonded by a passion for something rather simple – dancing!
While every festival mentioned before had at least some kind of area they specialize in more, Josone Music Festivalwill be a beautiful mix of everything. The musical side of the festival will allow famous Cuban orchestras, dancers, musicians, and even international DJs to perform.
The Festival specialized in Cuban Jazz and Rumba, it includes two music stages inside Josone Park, one of the biggest in the beach city of Varadero (Matanzas province). If you‘re interested in something alternative and different format, then be sure to check out the potential of the Josone Music Festival!
https://havanamusictours.com/wp-content/uploads/2020/04/casadelacultura1-scaled.jpg12802560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2020-04-04 14:40:542022-11-28 10:11:11Top 5 Most Popular Music Festivals in Havana, Cuba
Rooted deep in history and composed of sounds that seem to move the body and the soul, music in Cuba is larger than life. It is culture, identity, lifestyle, tradition, and a force that moves the whole country in one never-ending concert. And we visitors are always looking to capture the best out of our limited time. So, if you‘re looking to have that iconic music experience in Cuba and have unforgettable fun then make sure not to miss these top five music venues in Havana, the capital of Cuban music!
1. Fabrica de Arte Cubano
Established inside a former cooking oil factory, La Fabrica de Arte Cubano, also known as La FAC, has quickly become one of Havana’s most trendy and popular nightlife hotspots. And it‘s success lies in many distinctive details.
FAC delivers incredible diversity both in amenities and activities. You‘ll find a snack restaurant, nightclub, and bar mixed in with spacious outdoor and indoor spaces within these refurbished historic walls. But that‘s only the tip of an entertainment iceberg that Fabrica de Arte Cubano is.
What truly draws in those crowds are intriguing art exhibitions, funky live music, movies, and creativity that the venue explodes with every week. And there should be no surprise why the main reason for visiting the Vedado neighborhood is usually the vibrant La Fábrica de Arte Cubano.
2. La Zorra y El Cuervo
Next up we have another exciting place where music makes the air vibrate every night – La Zorra y El Cuervo. A New York Manhattan Village-style jazz club and one of the best at it in Havana.
Low ceilings, cramped space, dark and dim basement with a red English telephone box at the entrance. La Zorra y El Cuvero translates for “the Fox & The Crow“ and offers a vintage and soulful jazz club experience.
Leaning towards freestyle Jazz mostly, the club has the brightest performers of the Cuban jazz scene to perform here while also casting a spotlight on young and upcoming artists. Spectacular, special, and memorable performances are a guarantee for any kind of jazz or music fan.
Cuba is breathing jazz, and if you want to experience being top-notch, the La Zorra y El Cuervo is where it is at in Havana!
3. Cafe Teatro Bertolt Brecht
Looking for more of that wild nightlife escape in Havana? Then leave a Cafe Teatro Bertolt Brecht name in your notes and prepare to move those hips!
It is without a doubt one of the coolest nightspots in Havana, Cuba. Live music is played every night here, with Wednesdays leading the way. This is when the iconic Jazz fusion group “Interactivo” headlines the show almost every week.
Cafe Teatro Bertolt Brech is the past, present, and future, and a beautiful mix of artists perform here simply for good vibes.
While you will also find the theatre here as well, the club is known as “No Se Lo Digas a Nadie“ (Don‘t Tell Anyone“ and is the basement of the building. Tables here are few, and ques can belong. It is best to get here early at around 11:00 PM to get a good feel for the place before the crowds surge in.
4. Casa de la Musica Miramar
It seems that music venues in Havana so far have to offer something intriguing and different. And Casa de la Musica Miramar is no exception!
This is a venue known for hosting at least one famous Cuban artist every week. Bands and musicians such as Los Van Van, Alain Perez, Habana D‘Primera, and others don‘t shy away from an opportunity to perform here.
The beautiful and elegant old Havana mansion delivers a sophisticated ambiance. However, it is not the most spacious venue. Therefore be prepared to be crowded, even without large numbers of people coming in. But once you surrender yourself to the rhythms and dance, everything will simply fade away!
5. Habana 309
Formerly known as Kpricho Bar-Restaurant, the new venue has been born just recently under the new name of Habana 309.
A new place is yet to be discovered by many people, but good reviews are already making their way. One thing assured – live music here is stellar and is accompanied by the finest cocktails, good service, and a cozy setting.
It seems that Habana 309 is becoming a hub for new underground music and performing it at this cool new venue is not stopping any time soon!
https://havanamusictours.com/wp-content/uploads/2020/03/miyares-fac.jpg10801920Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2020-03-13 09:58:302022-04-07 11:57:30Top 5 Music Venues in Havana, Cuba
Úrsula Hilaria Celia de la Caridad Cruz Alfonso, more widely known as Celia Cruz, was a famous Cuban singer and left a footprint in history as one of the most popular Latin artists of the 20th century. Often referred to as Queen of Salsa, Celia Cruz‘s biography and history are very rich, intriguing, and full of accomplishments. Therefore, let‘s explore and discover the history of the legendary Cuban singer in 4 steps that are made simple, to take you back through one of the most illustrious music careers in Latin America‘s history.
Step 1: Early Life Footprints
According to Catalina Alfonso Ramos, her mother, Celia Cruz began singing as early as 10 months of age!
Celia Cruz was born at 47 Serrano Street in the Santos Suárez neighborhood of Havana, Cuba while her father, Simon Cruz, worked as a railway stoker and her mother was a housewife who took care of a big family of 14.
What started early continued every year for Celia Cruz. She sang practically everywhere: in school during the Fridays’ actos cívicos, in her neighborhood ensemble, Botón de Oro, and in cabarets as a teenager when her aunt took her there to perform.
Yet, still, Celia Cruz originally intended to become a literature teacher, but it was that critical victory in a talent show where she interpreted the tango piece „Nostalgia“ in a bolero tempo that became life-changing, making her pause her studies to pursue what became an elusive music career.
Step 2: The Rise Of Musical Career
Her musical breakthrough started here in Cuba with her first recordings made in 1948 and 1950 when she began singing with the celebrated Cuban orchestra Sonora Matancera.
Celia Cruz sang regularly in Cuba with the ensemble on radio and television, made extensive tours, compiled full-length albums, headlined Havana’s Tropicana nightclub, and even appeared in five films that were produced in Mexico.
Unfortunately, after the Cuban revolution of 1960, Havana’s nightlife came to a standstill which made her leave Cuba.
A journey that changed her life and career forever.
Step 3: Commerical Success In the USA
When the revolution started sweeping over Cuba, Sonora Matancera with Celia Cruz was touring Mexico and decided to cross into the United States instead of coming back home to Cuba. This led Cruz to become a U.S. citizen by 1961, settling in New York City while enraged Fidel Castro forbade her to return to Cuba‘s soil.
In the beginning, as expected, she was relatively unknown in a new country, with a presence only in the Cuban exile community. In the mid-1960s she started gaining exposure and momentum after joining Tito Puente Orchestra which had a strong following across Latin America.
Not only did she become the face of the group, but Cruz captivated audiences with her enthusiasm, sparkling attires, and crowd entertainment, skyrocketing her musical career into new heights that not many could have predicted, forming one of the greatest music legacies in Cuban history.
Step 4: Strong Legacy & Death
Celia Cruz passed away in New Jersey on July 16, 2003, at the age of 77.
Her legacy left behind still goes strong to this day, and it encompasses so many areas that she was able to touch with her fascinating 40-year musical career.
As Celia Cruz continued to perform throughout the years, she made over 75 records of which 23 went gold, winning multiple Grammy & Latin Grammy awards. But that‘s only the tip of a legacy iceberg that still floats around today, approaching 2020.
The singer made an appearance in several movies, stamped a star on the iconic Hollywood Walk of Fame, and received an award of the American National Medal from President Bill Clinton. The highest recognition an artist can receive from the United States government. Cruz is remembered as one of the 20th century’s most beloved and popular Latin musicians with many tributes made for her over the years, including music schools being named after her, television series, and many many more.
However, Celia Cruz did manage to return to Cuba in 1990 after she was invited to make a presentation at the Guantanamo Bay Naval Base. After that, she took a few grams of earth from Cuba with her.
An epilogue in her autobiography notes that, in accordance with her wishes, Cuban soil which she had saved from a visit to Guantánamo Bay was used in her entombment. Returning her home, forever.
Every time I go to a show in Havana or anywhere in Cuba, I am stunned by the musicianship. The impressive music scene that I always found there makes me love Cuban Music more and more each time.
Havana makes me think of 1950s New York City, not only because of the vintage cars but because of the superior musicianship. It reminds me of the greats like Miles Davis and John Coltrane on the come-up. It’s like traveling into a Time Machine. But with unique modern aspects that make it much better.
What does a music venue look like in Cuba?
The music venues in Cuba sometimes remind me of New York in many ways. Famous Cuban jazz venues like La Zorra y El Cuervo or Jazz Café Havana could make you feel that you are in an underground jazz club in the heart of Greenwich Village. It has the same feel and ambiance; the only difference is the authentic Latin Jazz. If you are a Jazz lover you should join us on Cuban Jazz, Music, and Cultural Tour Featuring Havana Jazz Plaza Festival 2023.
If it is about vintage vibes, in Cuba, especially in Havana, you will be able to find some Cabaret-style venues that take you on an exciting trip to the 50s. Some of them are Tropicana, Habana Café, Parisien, among others.
In Cuba, you can also enjoy concerts in elegant colonial-style theaters such as the Gran Teatro Alicia Alonso (Havana), Teatro Martí (Havana), Teatro Terry (Cienfuegos), Teatro Heredia (Santiago de Cuba). However, there are other more modern and relevant ones, such as Teatro Karl Marx and Teatro Nacional de Cuba, both in Havana.
But, not everything is vintage and nostalgic in the Cuban music scene. You can also find bars and nighttime clubs very similar to the rest of the world. Places where you can find both live and recorded music; are usually full of people dancing and drinking until very late in the night. One of our favorites is the Café Bertolt Brecht, especially if Interactive is playing there.
Over the years, I’ve understood why this may be (in my opinion). First of all, there are FREE music schools in Cuba where children start studying music as young as eight years old. Around half of the day is spent learning music and the other half with traditional academics. They will continue this through “secondary school,” also known as High school in America. By the time these kids get to a music university level, they are already impressive.
I also believe that the sociocultural and love of music inspires the musicians to practice a lot. There isn’t any extra money to be spent on excess things for Cubans most of the time. So maybe they will spend more time at home with their instruments instead of going out to bars, to eat, in movie theaters, etc. I think this all contributes to the practice culture of Cuban musicians.
The other aspect of becoming a musician and maybe why there are so many musicians in Cuba is that it could serve as an opportunity to travel to the world. Most of the great musicians around Cuba will flock to Havana to seek opportunities to play with groups that can gain international attention. Once they can begin touring out of the country, it can provide a much greater lifestyle than the typical Cuban.
I believe that Cuba has the best musicians globally, and all of my experiences traveling tell me the world needs to know this. You can see at least a few world-class performances in only one week, artists like Alain Perez, Alexander Abreu, Interactivo, Isaac Delgado, the modern-day Buena Vista Social Club, Afro Cuban All-Stars, and so many more. I hope that everyone has a chance to travel to Cuba at least once and experience the music of Havana.
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