By Laluly Romeri (Cuban musicologist and Business Development Specialist of Havana Music Tours and Musical Getaways)
Joy grows among Cuban musicians and music lovers after the beautiful nice they had yesterday during and after the Latin Grammys Awards 2022. Cuba and its musicians were awarded seven times last night from the ten nominations in various categories where Cuban musicians were competing. The event ended and left a pleasant surprise.
The musicians Aymée Nuviola and Gonzalo Rubalcava honored Cuban music after winning the award for Best Tropical Album for their album “Gonzalo Rubalcava y Aymée Nuviola live in Marciac.” At the same time, the Best Latin Jazz Album went to the multi-awarded in previous editions Chucho Valdés for the album “Mirror Mirror” with Eliane Elias and Chick Corea.
The video “This is not America” won the Best Short Form Music Video award. A joy distributed among its director Greg Ohrel, the Franco-Cuban sisters Ibeyi, and the Puerto Rican singer Residente. On the other hand, the Cuban singer Lenier Mesa and the Puerto Rican artist Marc Anthony won the award in the category of Best Tropical Song.
Undoubtedly, one of the greatest joys of the night was the Best Folk Album category award for the album “Ancestros Sinfónicos” of the group Síntesis, a Cuban band currently celebrating its 46 anniversary.
The award for Best Salsa Album went to the Cuban recording and mixing engineer Juan Mario Aracil Mayito, who has been awarded in previous editions of the Latin Grammys. This time it was for the album “Pa’lla Voy” by an artist mentioned earlier, Marc-Anthony. This award emphasizes how much talent exists in Cuba in any musical field.
Finally, the Best New Artist award was a great surprise and pride for many, where 95-year-old Ángela Álvarez demonstrated that dreams can come true regardless of age. Her speech was one of the most emotional of the night because she longed for her homeland, Cuba, which inspired her to create each song.
Cuban music continues to position itself and grow within an industry where it is difficult to compete with music mostly made for the great masses. It demonstrates that the roots of musical traditions break any commercial barrier and that the most important thing is music, a universal language.
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