Joy grows among Cuban musicians and music lovers after the beautiful nice they had yesterday during and after the Latin Grammys Awards 2022. Cuba and its musicians were awarded seven times last night from the ten nominations in various categories where Cuban musicians were competing. The event ended and left a pleasant surprise.
The musicians Aymée Nuviola and Gonzalo Rubalcava honored Cuban music after winning the award for Best Tropical Album for their album “Gonzalo Rubalcava y Aymée Nuviola live in Marciac.” At the same time, the Best Latin Jazz Album went to the multi-awarded in previous editions Chucho Valdés for the album “Mirror Mirror” with Eliane Elias and Chick Corea.
The video “This is not America” won the Best Short Form Music Video award. A joy distributed among its director Greg Ohrel, the Franco-Cuban sisters Ibeyi, and the Puerto Rican singer Residente. On the other hand, the Cuban singer Lenier Mesa and the Puerto Rican artist Marc Anthony won the award in the category of Best Tropical Song.
Undoubtedly, one of the greatest joys of the night was the Best Folk Album category award for the album “Ancestros Sinfónicos” of the group Síntesis, a Cuban band currently celebrating its 46 anniversary.
The award for Best Salsa Album went to the Cuban recording and mixing engineer Juan Mario Aracil Mayito, who has been awarded in previous editions of the Latin Grammys. This time it was for the album “Pa’lla Voy” by an artist mentioned earlier, Marc-Anthony. This award emphasizes how much talent exists in Cuba in any musical field.
Finally, the Best New Artist award was a great surprise and pride for many, where 95-year-old Ángela Álvarez demonstrated that dreams can come true regardless of age. Her speech was one of the most emotional of the night because she longed for her homeland, Cuba, which inspired her to create each song.
Cuban music continues to position itself and grow within an industry where it is difficult to compete with music mostly made for the great masses. It demonstrates that the roots of musical traditions break any commercial barrier and that the most important thing is music, a universal language.
https://havanamusictours.com/wp-content/uploads/2022/11/sintesis-Latin-Grammy-Awards-2022.png10801080Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2022-11-18 19:12:042022-12-05 13:24:19Cuban music celebration: Cuban musicians at the23rd Edition of the Latin Grammy Awards.
Cuban women are the inspiring soul of the great culture that Cuba preserves. Each sector of Cuban society and each bit of history contains the names of sovereign and courageous women who became examples for the nation and the world. That’s why we want to share this Spotify Playlist Tribute to honor the role of Cuban women in music during this Women’s History Month.
There is an extended list of female figures who have triumphed in the Cuban and international music scene when it comes to musicians. They have made history through songs.
Many of these courageous women have become an example for younger generations in Cuban society. Among these musical legends it is possible to mention: Maria Teresa Vera, Omara Portuondo, Celia Cruz, Isolina Carrillo, Mercedita Valdés, Elena Burke, Rita Montaner, Celeste Mendoza, Rosita Fornés, and others.
Vanesa Formell
Nowadays, Cuban culture enjoys an immense arsenal of talented young women who defend their musical roots anywhere. Cuban women musicians have positioned themselves among the best in the industry. Some of them are Daymé Arocena, Eme Alfonso, Yissy García, Brenda Navarrete, Luna Manzanares, Gretell Barreiro, Diana Fuentes, Telmary, Vanesa Formell, Aymée Nuviola, La Reina y la Real, etc.
A long list of women’s names has become part of Cuban cultural and daily life due to their crucial role in music. We know that we can count thousands of songs dedicated to Cuban women, but we can also acknowledge a lot written, performed, and popularized by various women. In this Part 1 of our Spotify Playlist Tribute to Women Artists, we would like to mention essential classic songs written or popularized by women musicians in Cuba.
The following list mentions a few of our favorite classic songs written or popularized by Cuban women.
Veinte Años (written by Maria Teresa Vera, in 1935)
Damisela Encantadora (popularized by Esther Borja in 1935)
Dos Gardenias (written by Isolina Carrillo, in 1945)
Quimbara (popularized by Celia Cruz in 1974)
El Manisero (popularized by Rita Montaner, in 1927)
Yo soy el Punto Cubano (written by Celina González, in 1956)
Omara Portuondo
Cuban women’s beauty and unique identity have also been a source of inspiration for multiple musicians. You can find lots of great songs dedicated to Cuban women. Many of them become representative compositions of Cuban music internationally. We decided to include a few of these songs on our Spotify Playlist Tribute to Women Artists Part 1.
The following list mentions a few of our favorite classic songs dedicated to Cuban women.
Guantanamera (written by Joseíto Fernández, in 1929)
Longina (written by Manuel Corona, in 1918)
Marilú (title theme of the orchestra Los Van Van, between 1969 and 1970)
María Caracoles (written by Pello El Afrocán, in 1964)
Yolanda (written by Pablo Milanés, in 1970)
El cuatro de Tula (written by Sergio Gonzalez Siaba of the Buena Vista Social Club, in 1996)
You can find our Spotify Playlist Tribute to Women Artists Part 1 here. Enjoy, and let us know your opinion about our selection on the bottom part of this blog post.
https://havanamusictours.com/wp-content/uploads/2021/03/dayme-arocena.jpg684684yamicabrerahttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngyamicabrera2022-03-10 21:28:472022-11-28 10:08:01Cuban Women in Music: Spotify Playlist Tribute to Women Artists – Part 1
When we talk about The History of Buena Vista Social Club Part 1 and The History of Buena Vista Social Club Part 2, we find that Buena Vista Social Club was the name of a Social Club where the best “soneros” of the 50s used to sing in Cuba. Then, it was a song that paid tribute to those sublime encounters and musical sessions of the homonymous Club. Later, the song would give the name to an album, a project, and finally to a musical artistic concept, with a particular style and format, founded on bringing together the glorious musicians and songs of previous decades. All that is Buena Vista Social Club.
The project traveled the world always changing the members of the orchestra. Although, it is true that some figures achieved greater popularity, becoming a kind of Buena Vista icon. Many of these original interpreters passed away a few years ago, others are now of advanced age. Let us remember that, by the creation date of the project in the 90s, the vast majority of artists were over 65 years of age.
What happened in Cuba?
Currently, in Cuba, the legacy and principles of the Buena Vista Social Club continue to be exalted, in a project called Tradicionales de Los 50. Because the original name is the intellectual property of the record company that recorded the homonymous album, the longest-lived figures of the Cuban son, they meet every night at the Rosalía de Castro Club. Located in the heart of Old Havana, there those songs that for years have brightened the lives of all those who enjoy them are honored.
Former members of the Sonora Matancera -the orchestra with which Celia Cruz recorded her first two musical albums in Cuba and a legend of Latin American dance music of the last century-, along with other great stars of the Buena Vista Social Club and Afro-Cuban All-Stars have been part of this project since 2002.
Among the most prominent figures who have collaborated, we find Julio Alberto Fernández, Barbarito Torres, Amadito Valdés, “El Guajiro” Mirabal, Julienne Oviedo Sánchez, Carlos González Cárdenas, Lázaro Villa, Rosa Fornés, Rolo Martínez and Manolo del Valle. These names are joined by other great personalities of the Cuban music scene: Rolito, Armandito y Navarro, Feliz Baloy, Hector Téllez, Alfonsí Quintana, Caridad Hierrezuelo, Hilda de la Hoz, María Elena Pena, Xiomara Valdés, Teresa García Caturla, Ela Calvo, María Victoria Gil, Amparito Valencia and Luis Téllez.
The current stars, all stand out for an important musical trajectory, of excellence within Cuban music. There we will find Rolando Montero, Mundito González, José Valladares, Jorge Mulet, Migdalia Hechavarría, Jose Luis Arango, Sergio Farías, Raquel Hernández, Flora Max, Pablo Santamaría, Millán Zuaznabar, Leonor Zayas, Feliz Bernal, Yanko Pizako, Emilio Ramos, Adalberto Ávila “Candela”, Martha de Santelices, Andrés Sánchez, Maria Elena Lazo, Alfredo Rodríguez, Laura Rodríguez and María de Jesús López.
The wide versatility of the project and its classic sound make this show a jewel of Cuban cultural heritage. A repertoire that ranges from the great classics of Miguel Matamoros, Miguel Cuní, Benny Moré, Compay Segundo, Celia Cruz, and Sonora Matancera -among others-, continues to transport us to the golden age of Cuban music, with the particular timbres and styles of each interpreter.
All of them preserve that old and delightful essence that allows us to enjoy, even in the XXI century, those glorious moments that made the Havana nights of past decades shine. An enjoyment turned into a privilege to get a live glimpse of the flavor and talent of the musicians who have made the whole world dance and distinguished the name of this beautiful island through passion and art.
You can find Parts 1 and 2 of this blog trilogy in the following links:
https://havanamusictours.com/wp-content/uploads/2021/07/DSC00761-scaled.jpg17072560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2021-07-01 08:42:032022-04-03 10:44:52The Modern Buena Vista Social Club (Part 3)
The rumba is one of the most important and universal Cuban styles of music. Many travelers and music lovers go to the island of Cuba to learn and enjoy a good Cuban rumba. Without a doubt, it is a relevant cultural attraction of this Caribbean island. Therefore, in this article, we will be addressing some essential elements of this peculiar genre.
What does the term rumba mean?
The term rumba is included within a series of Afro-Cuban words that designate a collective and profane festival in Cuba during colonial times. It is originally conceived as a couple of dancers that occur within a related group of people. Rumba is a party, touch, and dance. It manifests itself within a cohesive collective by ties of kinship or friendship, of the neighborhood.
At the rumba party, some play the drums, others raise the song, others respond as a chorus, and the others cheer with claps, waddle, go into the ring to dance, etc. Initially, the instruments used in these festivities were boxes of different sizes, frequently boxes of cod and candles; to achieve the highest sounds it was percussed in a bottle, in pans, or in some metallic implement.
These instruments were replaced with the development of the genre by three “tumbadoras” or “congas” of different heights. Each drum has a particular and specific rhythmic function.
The highest voice, the “Quinto”, a talking drum, is the one in charge of the improvisations that urge the dancer to make different figurations. The third drum or “salidor”, with a deep voice, marks a low ostinato, and the middle voice, “tres dos”, produces another stable rhythm that balances the whole percussion section of the rumba music. The singer carries the “claves”, which start and remain stable during the song.
Generally, rumba songs are preceded by a melodic vocal inspiration called “Diana”. Then, with the entry of the text, improvisation begins to expose the issue that gives rise to the rumba; this is called decimating. After improvisation, it “breaks” the rumba with the entrance of the instruments and the alternating solo-chorus form.
When the rumba breaks, a couple of dancers go into the ring. The dance is evocative and, in general, convulsive and disjointed; every step and gesture represents the events that precede the possession of a chicken. The Cuban rumba also presents variants of its style of music and dance: the guaguancó, the yambú, the Columbia, and a Spanish type of rumba.
Cuban rumba style became known at the beginning of the 20th century through famous groups such as `Los Roncos´, and `El Paso franco´. Later, they met rumberos who acquired great prestige such as Agustín Pina, Roncona, Malanga, Tío Tom, Chano Pozo, Virulilla, etc.
New technologies and most current rumba sounds
Undoubtedly, technology has allowed the Cuban rumba to approach contemporary sounds. With it, the electric bass is incorporated into a percussive plane. On some occasions, you can see the electric piano’s presence and the jazz band’s current sound, which has accompanied us since the 1920s when Cuban musicians, mentioned above, brought the rumba and the son to the Latin Quarter of New York. In addition, we can regularly find the violin combined with a contemporary touch during the spiritual songs to the ancestors.
Nowadays, there are famous rumberos such as the Clave and Guaguancó, Yoruba Andabo, Los Muñequitos de Matanzas and Los Papines groups, among others. The artistic representation of this folkloric manifestation can also be appreciated in the presentations of professional groups such as the Conjunto Folclórico Nacional, and local groups such as Rumbatá de Camagüey and Rumbávila de Ciego de Ávila.
Conclusions
As you can see, these are just some relevant data regarding the Cuban rumba. The Cuban rumba is a complex and very peculiar artistic phenomenon. On our part, it only remains to invite you to meet and enjoy this wonderful Cuban party with us.
The rumba is one of the most attractive Cuban styles for our team. That is why we always have a special space for her on our Tours. Havana Music Tours offers the opportunity to enjoy this style through direct contact with specific artists and musical groups such as Los Muñequitos de Matanzas or Clave y Guaguancó.
However, we recommend our Cuban Jazz and Rumba Tour, Fiesta Del Tambor (VIP), and even the Josone Music Festival in Varadero (Rumba, Jazz Son). These tours specialize their experiences in Cuban musical matters such as the rumba, and especially its percussion instruments. It is valid to highlight that our agency will also take into account personalized suggestions.
Are you ready to dance and enjoy Cuban rumba with our Havana Music Tours team?
https://havanamusictours.com/wp-content/uploads/2021/03/afro-cuban-rumba-party-in-havana-cuba-scaled.jpg19202560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2021-03-13 21:42:172022-11-28 10:15:57Rumba, an essential style of Cuban Music
Trinidad is a beautiful city in the center of Cuba. There we can find a very distinctive genre of this city, known as Tonadas Trinitarias. In the beginning, this musical expression was developed as part of a festive musician-dance event of a movement and purely profane nature. This style is currently performed by some of its main folkloric-traditional musical groups from Trinidad city.
Although its name refers to a generic species linked to country Cuban music, the Tonadas Trinitarias musical form is very distant from this type of music. On the contrary, it denotes a type of music that is accompanied by three small drums with the parietal wedge, a guataca, a guiro, and a mixed choir. This type of group is also very similar –in terms of sound and instrumental format– to that of the harpsichord choirs from the rumba and typical of the cities of Matanzas and Sancti Spíritus.
This tradition dates back to the second half of the 19th century, and some sources highlight its similarity with the beginning of the independence struggles and the revolutionary fervor of the time. They were organized by choral groups of men and women, in charge of representing the different neighborhoods established in the town.
During the nineteenth century and the first half of the twentieth century, it was known of the existence of two main groupings of Tonadas Trinitarias, each one representing specific neighborhoods, such as La Popa or Jibabuco and Simpá or ElTamarindo. However, the socio-cultural changes that occurred in the neocolonial stage caused a strong depression in the practice of these tunes, leaving both groups practically disabled.
The group meets again with the Triumph of the Revolution. This was possible at the request of government entities such as Cultura Municipal, and with the help of young art instructors. They bring together the main bearers of the tradition, it makes possible the creation of the Tonadas Trinitarias Group in 1963.
Unfortunately, starting in the 80s, this process led to the degradation of the tradition.The Tonadas Trinitarias became a generic type to be included as part of a repertoire of the Conjunto Folclórico de Trinidad, and other local groups.
However, due to the ideological and commercial value attributed to the tradition, this tradition has a new resurgence as a cultural product after opening the city to tourism in the 2000s. The Tonadas reaches into the present despite the great challenges in improving its practice.
Currently, the group remains in force thanks to its own members’ efforts and some of the cultural authorities of the town. The Tonadas Trinitarias can be found in different places in the very center of Trinidad, Cuba, such as the Palenque de Los Congos Reales, or in the Patio Bécquer.
Here are a couple of different videos,
including a collaboration with Havana Music Tours founder, Chaz Chambers
https://havanamusictours.com/wp-content/uploads/2020/11/las-tonadas-trinitarias-trinidad-cuba-scaled.jpg19202560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2020-11-19 10:22:302022-11-28 03:21:20The Tonadas Trinitarias: The Folkloric Music of Trinidad, Cuba
Throughout its history, the Son -as the Cuban Rumba- took longer to achieve institutional recognition, even though they were always venerated by the people and respected by the musicians of the continental circuit. The Cuban musical product -in all its manifestations- was a great reference for Latin American and Caribbean culture. However, after a glorious time for Cuban artists during the first half of the 20th century, in the young years of socialist Cuba, Cuban music lost its prominence in the region.
At the end of the 70s, a project called Estrellas de Areito was carried out, whose purpose was to summon the great figures of the golden age of Cuban Son (the 40s and 50s) in an attempt to exalt these colossi of the Cuban music that were falling into oblivion. The American musician and producer Ry Cooder and the record producer Nick Gold were involved. Although that musical work did not have the expected resonance, it laid the groundwork for subsequent projects that would give rise to the Buena Vista Social Club phenomenon.
Years later, the Sierra Maestra group, a format that paid tribute to the Sonera tradition and Cuban Trova, developed a series of international tours and presentations. Juan de Marcos González (Cuban musician and producer) was a member of that band. Participation in these events around the world allowed him to interact with essential personalities and music entrepreneurs. From these exchanges emerged the connection and friendship with Nick Gold and World Music. This record label would launch the Buena Vista Social Club album to the world and with it distinguish Cuban music within the heritage of universal culture.
The World Music label had been promoting a line of recordings that explored the richness of African culture and in 1994, they had won the Grammy award for Best World Music with the album Talking Timbuktu, produced by Ry Cooder. Finally in 1995, Juan de Marcos and Nick Gold agreed to organize a project, in a Jam Session style, where Cuban and African musicians would merge. With Ry and Nick’s experience and interest in African and Cuban music, which had fascinated them during the edition of Estrellas de Areito, they traveled to Havana in 1996 to undertake this new project.
Along with the troubadour from Santiago de Cuba, Eliades Ochoa, and other Cuban musicians who would be part of the recordings, the arrival of the two African musicians was expected: Toumani Diabate, Cora player, and the guitarist Chadi Madi. The African instrumentalists could never arrive due to difficulties with their visas, and this new circumstance caused a change in the project’s original conception. It is then when Juan de Marcos summons consecrated figures of Cuban music, among which were: Compay Segundo, Rubén González, Ibrahim Ferrer and Omara Portuondo.
Ángel Terry Domech, tumbador and member of the project, relates:
We were lucky that Rubén González kept, in a folder, danzones of all times: Buena Vista Social Club, La Negra Tomasa, etc., arrangements were not even made; it was all from memory (…). There was a true professional of teachers who, for many years, dedicated themselves to music.
The instrumental danzón “Buena Vista Social Club”, authored by Israel López, Cachao, evoked those glorious dances of the homonymous Social Club, gave the title to one of the records that were produced at that time. Another of the albums was A Toda Cuba le Gusta, with a big band format. Both musical works were nominated for the 1997 Grammy Awards, but the Buena Vista Social Club studio album won in the Traditional Music category. However, before obtaining the award, the album had already sold more than half a million copies in Europe, as a result of several concerts performed with the Afro-Cuban All Stars format, under the direction of Juan de Marcos, where they only included a few of the musicians who participated in the recordings.
In 1998, Ry Cooder returned to Havana with the German film director Wim Wanders with the intention of filming a documentary about those troubadours and soneros, who were living testimony of a millenary culture, and who had achieved world fame in their old age, to become legends. The cinematographic work recognized the talent and virtuosity of Cuban interpreters and composers, and a whole heritage that had survived wars, revolutions, emigration, and discrimination, yet sounded full of life and joy and managed to move the most diverse audiences.
Artists with capital letters, with no other pretensions than to sing their melodies and serve Cuban music itself, who never renounced their identity, their purest roots, being the most worthy way to honor the nation that fathered them. The documentary was titled Buena Vista Social Club, and beyond its technical values, Wim Wanders delivered a sensitive and honest work, that transmitted the charisma and grace of these Cuban musicians. The film won more than fourteen international awards and an Oscar nomination, in a kind of double distinction: for Wanders’ work and, at the same time, for the work that gave the documentary a reason for being.
You can find Part 1 and Part 3 of this blog trilogy in the following links:
https://havanamusictours.com/wp-content/uploads/2017/07/Photo-Jan-02-8-43-32-PM-scaled.jpg19202560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2020-09-20 11:15:022022-04-03 10:45:14The History of Buena Vista Social Club Part 2
Rooted deep in history and composed of sounds that seem to move the body and the soul, music in Cuba is larger than life. It is culture, identity, lifestyle, tradition, and a force that moves the whole country in one never-ending concert. And we visitors are always looking to capture the best out of our limited time. So, if you‘re looking to have that iconic music experience in Cuba and have unforgettable fun then make sure not to miss these top five music venues in Havana, the capital of Cuban music!
1. Fabrica de Arte Cubano
Established inside a former cooking oil factory, La Fabrica de Arte Cubano, also known as La FAC, has quickly become one of Havana’s most trendy and popular nightlife hotspots. And it‘s success lies in many distinctive details.
FAC delivers incredible diversity both in amenities and activities. You‘ll find a snack restaurant, nightclub, and bar mixed in with spacious outdoor and indoor spaces within these refurbished historic walls. But that‘s only the tip of an entertainment iceberg that Fabrica de Arte Cubano is.
What truly draws in those crowds are intriguing art exhibitions, funky live music, movies, and creativity that the venue explodes with every week. And there should be no surprise why the main reason for visiting the Vedado neighborhood is usually the vibrant La Fábrica de Arte Cubano.
2. La Zorra y El Cuervo
Next up we have another exciting place where music makes the air vibrate every night – La Zorra y El Cuervo. A New York Manhattan Village-style jazz club and one of the best at it in Havana.
Low ceilings, cramped space, dark and dim basement with a red English telephone box at the entrance. La Zorra y El Cuvero translates for “the Fox & The Crow“ and offers a vintage and soulful jazz club experience.
Leaning towards freestyle Jazz mostly, the club has the brightest performers of the Cuban jazz scene to perform here while also casting a spotlight on young and upcoming artists. Spectacular, special, and memorable performances are a guarantee for any kind of jazz or music fan.
Cuba is breathing jazz, and if you want to experience being top-notch, the La Zorra y El Cuervo is where it is at in Havana!
3. Cafe Teatro Bertolt Brecht
Looking for more of that wild nightlife escape in Havana? Then leave a Cafe Teatro Bertolt Brecht name in your notes and prepare to move those hips!
It is without a doubt one of the coolest nightspots in Havana, Cuba. Live music is played every night here, with Wednesdays leading the way. This is when the iconic Jazz fusion group “Interactivo” headlines the show almost every week.
Cafe Teatro Bertolt Brech is the past, present, and future, and a beautiful mix of artists perform here simply for good vibes.
While you will also find the theatre here as well, the club is known as “No Se Lo Digas a Nadie“ (Don‘t Tell Anyone“ and is the basement of the building. Tables here are few, and ques can belong. It is best to get here early at around 11:00 PM to get a good feel for the place before the crowds surge in.
4. Casa de la Musica Miramar
It seems that music venues in Havana so far have to offer something intriguing and different. And Casa de la Musica Miramar is no exception!
This is a venue known for hosting at least one famous Cuban artist every week. Bands and musicians such as Los Van Van, Alain Perez, Habana D‘Primera, and others don‘t shy away from an opportunity to perform here.
The beautiful and elegant old Havana mansion delivers a sophisticated ambiance. However, it is not the most spacious venue. Therefore be prepared to be crowded, even without large numbers of people coming in. But once you surrender yourself to the rhythms and dance, everything will simply fade away!
5. Habana 309
Formerly known as Kpricho Bar-Restaurant, the new venue has been born just recently under the new name of Habana 309.
A new place is yet to be discovered by many people, but good reviews are already making their way. One thing assured – live music here is stellar and is accompanied by the finest cocktails, good service, and a cozy setting.
It seems that Habana 309 is becoming a hub for new underground music and performing it at this cool new venue is not stopping any time soon!
https://havanamusictours.com/wp-content/uploads/2020/03/miyares-fac.jpg10801920Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2020-03-13 09:58:302022-04-07 11:57:30Top 5 Music Venues in Havana, Cuba
Every time I go to a show in Havana or anywhere in Cuba, I am stunned by the musicianship. The impressive music scene that I always found there makes me love Cuban Music more and more each time.
Havana makes me think of 1950s New York City, not only because of the vintage cars but because of the superior musicianship. It reminds me of the greats like Miles Davis and John Coltrane on the come-up. It’s like traveling into a Time Machine. But with unique modern aspects that make it much better.
What does a music venue look like in Cuba?
The music venues in Cuba sometimes remind me of New York in many ways. Famous Cuban jazz venues like La Zorra y El Cuervo or Jazz Café Havana could make you feel that you are in an underground jazz club in the heart of Greenwich Village. It has the same feel and ambiance; the only difference is the authentic Latin Jazz. If you are a Jazz lover you should join us on Cuban Jazz, Music, and Cultural Tour Featuring Havana Jazz Plaza Festival 2023.
If it is about vintage vibes, in Cuba, especially in Havana, you will be able to find some Cabaret-style venues that take you on an exciting trip to the 50s. Some of them are Tropicana, Habana Café, Parisien, among others.
In Cuba, you can also enjoy concerts in elegant colonial-style theaters such as the Gran Teatro Alicia Alonso (Havana), Teatro Martí (Havana), Teatro Terry (Cienfuegos), Teatro Heredia (Santiago de Cuba). However, there are other more modern and relevant ones, such as Teatro Karl Marx and Teatro Nacional de Cuba, both in Havana.
But, not everything is vintage and nostalgic in the Cuban music scene. You can also find bars and nighttime clubs very similar to the rest of the world. Places where you can find both live and recorded music; are usually full of people dancing and drinking until very late in the night. One of our favorites is the Café Bertolt Brecht, especially if Interactive is playing there.
Over the years, I’ve understood why this may be (in my opinion). First of all, there are FREE music schools in Cuba where children start studying music as young as eight years old. Around half of the day is spent learning music and the other half with traditional academics. They will continue this through “secondary school,” also known as High school in America. By the time these kids get to a music university level, they are already impressive.
I also believe that the sociocultural and love of music inspires the musicians to practice a lot. There isn’t any extra money to be spent on excess things for Cubans most of the time. So maybe they will spend more time at home with their instruments instead of going out to bars, to eat, in movie theaters, etc. I think this all contributes to the practice culture of Cuban musicians.
The other aspect of becoming a musician and maybe why there are so many musicians in Cuba is that it could serve as an opportunity to travel to the world. Most of the great musicians around Cuba will flock to Havana to seek opportunities to play with groups that can gain international attention. Once they can begin touring out of the country, it can provide a much greater lifestyle than the typical Cuban.
I believe that Cuba has the best musicians globally, and all of my experiences traveling tell me the world needs to know this. You can see at least a few world-class performances in only one week, artists like Alain Perez, Alexander Abreu, Interactivo, Isaac Delgado, the modern-day Buena Vista Social Club, Afro Cuban All-Stars, and so many more. I hope that everyone has a chance to travel to Cuba at least once and experience the music of Havana.
https://havanamusictours.com/wp-content/uploads/2019/03/img_0441-scaled.jpg19202560Editorial Teamhttps://havanamusictours.com/wp-content/uploads/2023/02/final-e1675339047365.pngEditorial Team2019-03-16 09:19:332022-11-28 05:12:48The Cuban music scene
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